July 23, 2008

Dancing Smart Newsletter: 7/23/08

It was brought to my attention that some of you were receiving blank emails when I was sending out the notice of another newsletter being posted. I have hopefully resolved this issue! I appreciate those who took the time to let me know all was not right!

Here's the Q&A for today.

Deborah, I have been thrilled to find your web site, thank you, thank you! My question- I have an advanced male student who was a former gymnast. His hyper-flexible back and anterior pelvic tilt leave him loose and improperly aligned in his movement. His entire mid section, ribs, abdominals and spine are too flexible and unstable for classical ballet. Since he has been performing more and training less, I have noticed it getting worse and want to give him a workout to do outside of the classroom. I would love your input on specific exercises to teach his core muscles control and stability. I know that crunches and sit-ups are not the answer.

Great question! It is so true that simply doing crunches and sit-ups in the normal way won't give you the functional control that dancers need. I've got a few suggestions for your loosey-goosey gymnast.

There are a few tweaks we can give to the traditional exercises, which will pack a lot more punch for the time spent. I'm going to suggest that your dancer purchase a big physioball to work with, although I will also give you ways to do these without a physioball.

Physioball sit-ups
Begin by sitting on the physioball and slowly walk your feet away from the ball until your lower and middle back is resting on the ball. (you are arching back over the ball as in a bridge position) Clasp your hands behind your head, keeping your elbows out to the side as you slowly do a sit-up, keeping your lower back on the ball and your feet secure on the floor or even with your feet on the floor and toes touching a wall so they don't slide. Exhale while doing the half sit-up.

You are going from an arched position to a contracted one. This is more challenging than going from a neutral position of lying flat on the floor to the half sit-up position. A variation without the physioball would be to rest on the bed with your knees bent and just the shoulder blades, shoulders and head hanging off the bed. Then slowly exhale as you do your half sit-up. You could do that with your legs straight, but only if you don't have tight hip flexors.

Leg Lowering
You'll begin lying on your back with your knees bent and feet resting on the floor with your spine lengthened and at rest. Deepening in the front of the hip joint, softly flex at the hips and lift each foot off the ground without tucking your pelvis under or pushing your low back against the floor. This will be your starting position.

You are doing a variation of leg lowering that will teach you to use the abdominals to stabilize your movement. Keeping the knee bent, slowly take one leg away from your chest, keeping the lower leg parallel to the floor. You are going to monitor your low back and stop when your low back starts to arch away from the floor. Bring that leg back in towards your chest as you switch legs and begin to extend the other leg away from your body. When you first begin to do this exercise your legs won't travel very far away from your body. As you develop the core strength of the deeper abdominal muscles you will be able to extend your legs all the way to straight.

I want to emphasize that you must set up the abdominals before you ever move a muscle Think of the bellybutton being drawn to the back of the spine, or the abdominal area having one of those girdle supports that employees wear to lift heavy objects. The focus is on maintaining your support and control - not simply engaging at the point when you start to feel your pelvis tipping.

Alternate your legs as slowly as you need to be able to maintain that support. If you want to work harder, don't bring your knee back as far towards your chest. This will load your abdominal muscles keeping them at a higher engagement level. Remember, when you use those deep abdominals it means that you will have a sense of engagement even when you are inhaling, but you will need to keep breathing! Too many dancers forget to breath when they are using their abdominals - definitely a bad habit!


Pelvis tipping forward
Even though dancers can have a lot of flexibility in their legs and back, they can also have tight hip flexors that pull the pelvis down in front giving the back that arched look. So let’s talk about how a tight iliopsoas muscle can influence your abdominal usage. We know that the iliopsoas muscle is a major postural muscle. It attaches from the middle area of the spine (T-12) and at the lesser trochanter of the femur (at the inside top of the femur, close to the groin.) The deeper muscles are in the body, the more they influence the alignment of the bones. The iliopsoas muscle, when it is overly tight, will pull the low back into a swayback. You could do 50 sit ups a day to strengthen your abdominal muscles, and stand up and still look like you had weak abdominals. So, the first step is to make sure that your iliopsoas muscle is stretched and has enough flexibility that when you are standing there is not a pull on the low back. Then the abdominal muscles have a chance to do their job of keeping the pelvic bowl upright which allows the weight of the upper body to transfer correctly down the spine onto the back of the pelvis and through to the legs in standing or the ischial tuberosities or sitting bones when sitting. One of the simplest way to stretch the iliopsoas muscle is by doing the runners lunge stretch.

I'll end with a quote from Ted Shawn. "Dance is the only art in which we ourselves are the stuff of which it is made."

Until next time,
Warm regards,

Deborah

"Education is the key to injury prevention"

July 9, 2008

Dancing Smart Newsletter: 7/9/08

Quick announcement: I'll be in NYC for the Dance Teachers Summer Conference sponsored by Dance Teacher Magazine and MacFadden Performing Arts Media. I hope to see many of my loyal readers! The subject of my two classes will be, Conditioning the Body for Jumps and 10 Tips Towards Keeping Teachers in Top Shape. Hope to see you August 9-11!

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Recently I've been doing a lot of tendus and the like daily to increase the strength and stop my toes "crunching" while pointing. Over the past few days the tendon/muscle going from the top of my toe over the arch has become incredibly sore and "crunches' when I flex and pointe. After some very brief research on the net, I found that this could be tendonitis. More research also points to a small bone fracture or something to do with the tissue. I was just wondering what you think this is and how to treat it?
Regards,
Jane

My recommendation would be to use the pinkie ball to see if releasing tension from the anterior tibialis muscle will release the discomfort on the top of your arch. That muscle contracts when you flex your foot and needs to stretch and lengthen when you are pointing.

You'll want to gently kneel on the pinkie ball to massage the front, outside portion of your calf where the anterior Tibialis muscle is. After doing the front of the calf, take some time to massage the bottom of your foot by standing and rolling your foot over the ball. If you are practicing your tendus and lengthening the toes you are strengthening the intrinsic muscles of the foot – always a good idea! That, along with lengthening the front of the ankle is what creates a beautiful tendu.

If releasing the pull from the muscles around the ankle helps – super! If the top of your foot continues to feel sore, and you are hearing crunching or cracking noises – I would encourage you to go to the doctors and get some x-rays in order to rule out a stress fracture or other boney problem.

The doctor should also look carefully at your standing alignment to make sure your foot is not pronating, which so strongly affects the muscle balance around the foot.

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I am suffering from Plantar fasciitis...I am doing everything (ice, taking time off, walk with heels, massage, exercises for the feet and legs, hamstring and calf lengthening and ease) and there is no change. What do you recommend?

I was diagnosed by a foot doctor.
Lori

Lori, you are following the traditional protocols for plantar fasciitis, and since it is not getting better I would look at other potential factors. Is one foot or both bothering you? Did it start all of a sudden, or come on more gradually? Were there any precipitating events?

It appears that you are going to need to put on your detective's cap to figure this one out. I would check for any imbalances between the two legs. Could there be a leg length driving this problem? Does one foot have a tendency to pronate more than the other? Do you have a difference in your turnout between the two legs? Are you able to walk more comfortably when your arch is taped up for pronation? Often, that will help ease the pull and strain to the plantar fascia, which will help it heal.

As far as immediately trying to release the strain – I would encourage you to find a practitioner who has been certified by Tom Meyers, who wrote Anatomy Trains, the best book on understanding the myofascial relationships in the body, in my humble opinion. Here is the link to his practitioner list. http://www.anatomytrains.com/kmi/practitioners

There are massage therapists who have studied other myofascial techniques that could also be useful. My focus would be on releasing the entire line of fascia that runs from the bottom of your foot all the way up the back of your leg, spine, neck, and finally ending on your head. It could be that other areas are feeding this posterior line of fascia and once they are released the weight and pull on the plantar fascia will be released.

Plantar fasciitis can be a very tenacious problem – I wish you the very best for a speedy recovery!

Warm regards,
Deborah

"Education is the key to injury prevention"